Claire O'Connor: The award winning designer on her new collection

                                                                                    image: Angela Halpin@Jang

By Sinead Van Kampen

Tuesday May 17 2011

Award-winning Irish designer Claire O'Connor makes pieces which are edgy, precise and above all beautiful. She branched out on her own in 2005, having worked with the likes of Marc O'Neill and Pauric Sweeney, with a range of couture-inspired pieces and one-off creations available at Dublin's Design Centre.

We caught up with her to find out her thoughts on school discos, Queen Rania and her own take on the fashion she creates...

When did you realize that you wanted to be a fashion designer?

I was nine years old, it was a Friday afternoon. Having got a half day from school, I came home to chocolate and a copy of Hello magazine my auntie had left in the house. I saw something by John Galliano which blew me away and I decided there and then that I wanted to be like him when I'm big. It's my destiny.

What was the first thing you designed?

My class was going to Wesley disco for the first time, and my parents refused point blank to let me go. Before I almost drowned in a pool of my own tears, my mum asked me if I'd like her to show me how to sew.

While my friends danced the night away we made a pair of trousers, which I still have to this day. Some of my classmates wore them.

What's inspiring you now?

The people around me, my family, my friends. In the industry there are so many creative people, who are charging forward in the face of uncertainty and keep going to find the way to make a place for themselves and their clothes. They strive to put Ireland on the map.

How would you describe your Spring 2011 collection?

The signature look to this season is very contemporary with some avant-garde pieces. Lots of soft metallics, soft fabrics and bright colourful digital prints.

What has been your biggest challenge to date?

As a designer working in Ireland, I feel the government lends little support to aid new and up-and-coming businesses. The small, indigenous craftspeople, who want to grow enterprise and need support. This is something that our new government needs to work on to help us and our economy on the road to recovery.

If you could choose a celebrity endorsement, who would it be and why?

Queen Rania of Jordan is not just a style icon and a great beauty but has also taken on an interactive role with leaders like Nelson Mandela on the Global Leadership Initiative which helps improve the welfare of children. She is an ambassador for many charities and a great ambassador for women around the world.

Whose collection have you really been impressed by this season?

Armani Privé Spring 2011 Couture Collection has been a much watched collection this season. It has taken a bold new direction and has been inspirational with its futuristic shapes. The textures of the fabrics have strong asymmetrical forms and the bold metallics and bright colours are for the strong, beautiful woman.

What is the one item every person should have in their closet?

The coat. A beautiful coat is a must have. The building block of any good wardrobe. Even if you look awful underneath it will deliver you looking sharp and well dressed. Coats are a weakness of mine!

What was your most tragic fashion moment?

I've had a few. Even the best of us get it wrong.

Where do you like to shop?

New York, which has the most eclectic and wonderful little shops, with such gorgeous little things.

Where can we find you on a Sunday afternoon?

And on the seventh day he rested, and all was good. I think that is sound advice.

Share one insider secret?

Be happy with who you are.

Who do you most admire, and why?

My mother. She has a great understanding of the world. Things that are important, things that are not. She has great perspective, is always there without judgment, and just pure love. She does not allow outside influences to determine how she feels and I think that is a most beautiful quality.

How would you like your clothes to be remembered?

Timeless. I would like to think that in 20 years time, people will open their wardrobes and say something of mine is their favourite thing.

See more of Claire's work at www.claireoconnor.ie

- Sinead Van Kampen

Read more: http://www.independent.ie/lifestyle/independent-woman/fashion/claire-oconnor-the-award-winning-designer-on-her-new-collection-2649769.html#ixzz1NJ2uI9LE

''Claire O'Connor, the name on everyone's lips, presented a collection of stunning eveningwear that oozed originality and creative authority''

Sunday May 15 2011

The recent Fashion Exposure show at the Stephen's Green Hibernian Club, is one of the few platforms for young designers to showcase their creative talents to the kind of audience who buys designer wear, now that Dublin Fashion Week is no longer in existence and there is a growing trend among Irish retailers for ignoring Irish labels.

"Even established designers in Ireland don't have the resources to put on a full show, so to [share] the cost and to take part in something together was a great relief for us," says young designer Sean Byrne who recently returned to Ireland following an internship with Burberry Prorsum. And judging by his collection of draped jersey dresses and stunningly tailored coats, the leading fashion house has taught him a lot.

"It was fantastic," he enthused about the show, "to have established designers and new designers on the same platform together, because I suppose it makes the statement that we're all in it together. That's vital at the moment." While it's true that the Irish consumer should not be blackmailed into buying Irish purely on the basis of loyalty, if you had attended this show you would have realised that there's no need for duty purchases. Irish fashion designers have the acumen, originality and price competitiveness to rival their international counterparts.

This event, which showcased the designs of some of Ireland's finest fashion talents -- including stalwarts such as Philip Treacy and John Rocha as well as rising talents Claire O'Connor and Heidi Higgins, left the viewer confident about the future of Irish fashion, not to mention basking in a warm glow of pride.

"The show was a phenomenal success," organiser Fiona Foy-Holland said days after the show. "It is pre-booked for next year.

"We achieved what we wanted to achieve.

"It was good for the designers, it was good for the charity, it was good for the services that helped support us on the day."

The event, which is in its second year, raised €15,000 for the Order of St Lazarus.

MC for the afternoon, our own LIFE editor and TV frontman, Brendan O'Connor, had the 100 or so women, who included Caroline Harrington, JP McManus's daughter-in-law Anne Marie, Liz O'Donnell and Andrea Roche, giggling like schoolgirls as they lapped up his compliments and the champagne prior to the show.

The show itself had a real international, salon feel to it -- the kind of intimate showcase Victoria Beckham has been championing for a number of seasons.

Fresh-faced, stunning young models with soft hair and make-up, modelled to subtle, unshowy music, all of which fixed your attention firmly on the clothes.

Attendees also had the opportunity to buy after the show, and I'm reliably informed that they did so with gusto.

Irwin & Jordan, which is designed by relative newbie Zoe Jordan, daughter of former racing boss Eddie, was something of a revelation for women in the audience. Simple but sophisticated, contemporary but not overly trendy, mixing rigid with fluid, there's a touch of Stella McCartney about this young designer's spring/summer collection.

Rocha's collection injected an element of fun and playfulness into his trademark black.

Meanwhile, Higgins' collection was bright and beautiful. Ageless in its cut and style and easy to wear, it would suit everyone from mothers of the bride to women with aspirations to win Best Dressed Lady competitions. Ella Boo, which is also quite occasion-driven, was equally pretty, yet functional.

Claire O'Connor, the name on everyone's lips, presented a collection of stunning eveningwear that oozed originality and creative authority.

Roisin Linnane brought a laid-back vibe to the show with her soft jersey dresses and light knits.

Synan O'Mahony, who provided a finale to the show, was typically glamorous showing why Irish celebs continue to love him. Ashling Kilduff of the Design Centre, who was heavily involved in the organisation of the show, has always been a proud proponent of Irish designers.

"She is another unsung hero who puts herself forward, takes chances on young designers, and wants to grow it out. She knows how important it is.

"We don't want the talent leaving the country. We don't want them disappearing," explains Fiona Foy-Holland.

"It is important for us to move forward, to not take this lying down anymore, be reliant on ourselves, strengthen our economy, galvanise ourselves. [And ] beat this recession."

Photography: Tony Gavin

Styling: Aisling Farinella, assisted by Kieran Kilgallon and Kathryn Hay

Hair & Make-up: Dylan Bradshaw, 56 Sth William St, D2, (01) 671 9353

All clothes and jewellery from the Design Centre, Powerscourt Townhouse Centre, 59 Sth William Street, D2, (01) 679 5863 or www.designcentre.ie. All shoes from

Fitzpatricks, Grafton St, D2, (01) 677 2333. Furs supplied by Barnardo Furriers, 108 Grafton St, D2, (01) 677 7867